If you like your
intrigue brewed hot and your skulls well duggered (is that a verb?),
then place your order for T.M. Doran’s latest work, The Lucifer Ego. This colorful novel is a
sequel to Doran’s debut novel, Toward
the Gleam (Ignatius Press,
2011), and is as rich and fast-paced as anything he’s written so far,
including his remarkable Iota.
The
story picks up in the current day, when protagonist F. Lyle Stuart (the
“F” is for Frodo), a professor of archaeology, is called by his
uncle to investigate a theft. The uncle, as it happens, is the abbot of a
monastery, the very monastery that is the setting for the beginning
and end of Toward the Gleam.
The stolen item is the manuscript left in the custody of the
monks by author “John Hill” forty five years earlier – the
manuscript purported by some to be the basis for the most renowned
and well-loved fantasy tale to come out of the twentieth century. The
manuscript is of unspeakable antiquity, and has been taken by parties
unknown, with the theft not discovered until months after the fact.
The abbot uncle wishes Lyle to undertake the recovery, if possible,
of the treasured artifact.
This
task Lyle is unwilling to undertake, partly out of skepticism about
the veracity of the claims about the manuscript as well as (one
suspects) a desire to distance himself from the story in question
(there’s a reason goes by his middle name.) But undertake it he
does, however reluctantly, with the help of his brother Sam (you
guessed it - “Samwise”) and his canny and devout girlfriend
Beatrice. Both of these supporting characters have depths of
experience beyond Lyle’s ken, and both serve him well as the tale
unfolds. As Lyle reluctantly
pursues the missing manuscript, he finds himself running afoul of a
tangled web woven by a poisonous personality, one closely tied to the
antagonist of Gleam and even more merciless.
The
reader should be prepared for two things: first, this is a
time-hopping tale, with the author interweaving events that happen
decades apart to form a compelling story. Fortunately, events that
happen at the same time are grouped into chapters, which are
identified by dates, so pay attention to the chapter headings.
Secondly, this is a tight sequel, so if you have a copy of Toward
the Gleam, you might want to
re-read or at least skim it while waiting delivery of Lucifer
Ego. Many
of the scenes in Ego
directly allude to events in Gleam,
and having those fresh in your mind will make the story more
enjoyable.
Doran’s
style might seem abrupt and choppy, but it indicates roots in the
detective writers of the classic era such as Dashiell Hammett and
Raymond Chandler. The fast-moving, staccato dialog keeps the reader
on his toes as it propels the story along. It’s quite suitable for
the tension that slowly builds as the reader realizes that Lyle and
his companions find themselves ensnared in schemes that reach decades back, and
the target of a cunning mastermind who has spent his life polishing
the art of manipulating people, even to the point of murder.
If
you enjoyed Toward the Gleam,
you’ll certainly appreciate
The Lucifer Ego. Doran
has developed as a writer and teller of tales, and this one won’t
disappoint. I anticipate his next work eagerly.